What attracts you to MJTC?
I love the idea of working at a theatre whose mission is to produce “new plays that are rooted in the Jewish experience but illuminate the common humanity among us all.” This is my third time working for MJTC; I am impressed with the theatre’s professionalism– from the rehearsal process to the production support. Barbara Brooks also takes really good care of her actors – not only paying them but feeding them!
How did you prepare for the role of Rachel in Jericho?
I start by reading and re-reading the script many times. I annotate and make connections during these readings. However, I don’t “get the character” until I am off book and have my lines memorized. And that process, of running and working lines, I do with my mom, Jeanne Bearmon. We go line by line and begin to figure out who the character is. Then, I bring the work I’ve done at home into rehearsal. The director, Warren Bowles, would give direction and say things to lead me in the direction he needed me to take to tell the whole story of the play – not just my part. And, even though I would write down his notes, it was usually a couple days before I understood and could assimilate his direction into action. I also sought to find a “Rachel” in my own life – someone who could serve as a model for my Rachel.
Jericho explores both personal and collective catastrophe, but it contains a lot of humor and irony as well. Is it challenging to navigate this juxtaposition?
I think finding humor in life’s events is what keeps us sane. So, no, I don’t think it is challenging to marry catastrophe and humor. Imagine how truly horrible things would be if we couldn’t laugh.
Is there one line or scene in this show that you particularly relate to or appreciate?
I love it that Ethan isn’t happy with Rachel’s decision to sell the house. I don’t care how old the children get, they really don’t want things to change. Case in point, when he expresses his dismay at her decision, Rachel responds, “I understand that, Ethan. I raised my family here. But I…I’m not a curator. This isn’t a museum.”
Any roles you're dying to play?
Medea, Lady Macbeth, Claire Zachanassian (from Durrenmatt’s The Visit), and Martha (from Who’s Afraid of Virginia Woolf). There seems to be a theme!
Who or what inspires you?
My mom. Two years ago, I performed a one-woman show written for The Fringe. It was my mom’s story, adapted from her memoir, of her time as a Captain in the Army during WWII. The play, called “They Called Her Captain,” sold-out at The Fringe and won the encore performance. The JCC just agreed to produce the play as a full-length one-woman show. Very exciting. Yup, my mom, Jeanne Bearmon inspires me.
What's the best part about living in the Twin Cities?
I have to say the best part of living in the Twin Cities is that my family – husband, mother, sisters and brother -- all live here. Then, of course, my friends, the lakes, the outdoors, the theatre, the arts, etc.